xviii, fol. 55_]
Backgrounds of miniature histories are treated as in the Bohemian
MSS.--Wilhelm v. Oransse, for example--that is, with fine golden
tracery-patterns on deep, rich colours. The figure-painting is vastly
improved--the features now being actually painted and modelled as in
modern portrait painting, not merely indicated by pen strokes. The
flesh-tints as previously noticed are bright and ruddy. The principal
colours used on the foliages are blue, crimson, of various depths, and
bright vermilion, with occasional admission of bright green and paled
red ochre. Very similar to 1 E. 9 is Harl. 1892, and among other MSS.
that may be studied with this one is 2 A. 18--a book of Offices, very
sweetly illuminated, and full of typical examples of treatment both of
architectural design and treillages of foliage.
The Gothic pilasters are filled with the same kind of coiling and spiral
leaves and ribbons that are used in 1 E. 9 and Harl. 1892, the
backgrounds of the miniatures enriched with fine gold patterns. The
furniture and costumes indicate the later years of the reign of Richard
II., being similar to those shown in the miniatures of Harl. 1319, which
relates the story of Richard's misfortunes. A few miniatures of saints
accompany the prayers to them.
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