--Harlinda and Renilda--The nunnery at
Maas-Eyck--Description of the MS.--Thomas ? Kempis--The school of
Zwolle--Character of the work--The use of green landscape
backgrounds--The Dukes of Burgundy--Netherlandish artists--No miniatures
of the Van Eycks or Memling known to exist--Schools of Bruges, Ghent,
Li?ge, etc.--Brussels Library--Splendid Netherlandish MSS. at
Vienna--Gerard David and the Grimani Breviary--British Museum--"Romance
of the Rose"--"Isabella" Breviary--Grisailles.
CHAPTER IX
THE FRENCH RENAISSANCE
Communication with Italy--Renaissance not sudden--Origin of the schools
of France and Burgundy--Touraine and its art--Fouquet--Brentano
MSS.--"Versailles Livy"--Munich "Boccaccio," etc.--Perr?al and
Bourdichon--"Hours of Anne of Brittany"--Poyet--The school of
Fontainebleau--Stained glass--Jean Cousin--Gouffier "Heures"--British
Museum Offices of Francis I.--Dinteville Offices--Paris "Heures de
Montmorency", "Heures de Dinteville," etc.
CHAPTER X
SPANISH AND PORTUGUESE ILLUMINATION
Late period of Spanish illumination--Isidore of Seville--Archives at
Madrid--Barcelona--Toledo--Madrid--Choir-books of the Escorial--Philip
II.--Illuminators of the choir-books--The size and beauty of the
volumes--Fray Andr?s de Leon and other artists--Italian
influence--Giovanni Battista Scorza of Genoa--Antonio de Holanda,
well-known Portuguese miniaturist in sixteenth century--His son
Francesco--The choir-books at Belem--French invasion--Missal of
Gon?alvez--Sandoval Genealogies--Portuguese Genealogies in British
Museum--The Stowe Missal of John III.
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