--"Decretum Gratiani,"
other collections and MSS.--Statuts du Saint Esprit--Method of
painting--Don Silvestro--The Rationale of Durandus--Nicolas of Bologna,
etc.--Triumphs of Petrarch--Books at San Marco, Florence--The Brera
Graduals at Milan--Other Italian collections--Examples of different
localities in the British Museum--Places where the best work was
done--Fine Neapolitan MS. in the British Museum--The white-vine style
superseded by the classical renaissance.
CHAPTER VII
GERMAN ILLUMINATION FROM THE THIRTEENTH TO THE SIXTEENTH CENTURY
Frederick II., _Stupor Mundi_, and his MS. on hunting--The Sicilian
school mainly Saracenic, but a mixture of Greek, Arabic, and Latin
tastes--The Franconian Emperors at Bamberg--Charles of Anjou--The House
of Luxembourg at Prag--MSS. in the University Library--The Collegium
Carolinum of the Emperor Charles IV.--MSS. at Vienna--The Wenzel
Bible--The Weltchronik of Rudolf v. Ems at Stuttgard--Wilhelm v. Oranse
at Vienna--The Golden Bull--Various schools--Hildesheimer Prayer-book at
Berlin--The Nuremberg school--The Glockendons--The Brethren of the Pen.
CHAPTER VIII
NETHERLANDISH ILLUMINATION
What is meant by the Netherlands--Early realism and study of
nature--Combination of symbolism with imitation--Anachronism in
design--The value of the pictorial methods of the old illuminators--The
oldest Netherlandish MS.
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