Before the great audience hall let the bare garden-court again glow with a
million blooms; there let the peacocks sun themselves, their living jewels
putting to shame the gems that burn back from aigrette and from sword-hilt;
see and hear the cool waters sparkling once again from their long-dried
founts, flashing in the white sunlight, and flowing over ducts cunningly
inlaid with zigzag bands to imitate the ripple of the mountain stream.
The dead frame alone is left of all this gorgeous picture. The
imperishable marble glows white in the sunlight as it did in the days of
Shah Jehan. The great red bastions of the Fort frown over the same placid
Jumna, and watch each morning the pearly dome of the Taj Mahal rise like a
moon in the dawn-glow, shimmer through the parching glare of an Indian day,
and at eve sink, rosy, into the purple shadows of swiftly-falling night,
as they did when Shah Jehan sat "in the sunset-lighted balcony with his
eyes fixed on the snow-white pile at the bend of the river, and his heart
full of consolation of having wrought for her he loved, through the span
of twenty years, a work that she had surely accepted at the last."[2]
We spent a long afternoon in the Fort, and drove out finally through the
monstrous gateway in a little Victoria, feeling all the time that none but
elephants in all their glory of barbaric caparison could pass through such
a portal worthily.
The moon was full almost a week ago, unfortunately, so we determined that,
failing moonlight, our first visit to the Taj should be at sunset.
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