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Ruskin, John, 1819-1900

"The Poetry of Architecture"


252. All this will require care in designing; but, as we have said
before, we can always do without decoration; but, if we have it, it
_must_ be well done. It is not of the slightest use to economize; every
farthing improperly saved does a shilling's worth of damage; and that is
getting a bargain the wrong way. When one branch or group balances
another, they _must_ be different in composition. The same group may be
introduced several times in different parts, but not when there is
correspondence, or the effect will be unnatural; and it can hardly be
too often repeated, that the _ornament_ must be kept out of the general
effect, must be invisible to all but the near observer, and, even to
him, must not become a necessary part of the design, but must be
sparingly and cautiously applied, so as to appear to have been thrown in
by chance here and there, as Nature would have thrown in a bunch of
herbage, affording adornment without concealment, and relief without
interruption.
253. So much for form. The question of color has already been discussed
at some length, in speaking of the cottage; but it is to be noticed,
that the villa, from the nature of its situation, gets the higher hills
back into a distance which is three or four times more blue than any
piece of scenery entering into combination with the cottage; so that
more warmth of color is allowable in the building, as well as greater
cheerfulness of effect.


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