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Ruskin, John, 1819-1900

"The Poetry of Architecture"


247. Then, as in the curved country there is no such distortion as that
before noticed, no such evidence of violent agency, we need not be so
careful about the appearance of perfect peace; we may be a little more
dignified and a little more classical. The windows may be symmetrically
arranged; and, if there be a blue and undulating distance, the upper
tier may even have cornices; narrower architraves are to be used; the
garrets may be taken from the roof, and their inmates may be
accommodated in the other side of the house; but we must take care, in
doing this, not to become Greek. The material, as we shall see
presently, will assist us in keeping unclassical; and not a vestige of
column or capital must appear in any part of the edifice. All should be
pure, but all should be English; and there should be here, as elsewhere,
much of the utilitarian about the whole, suited to the cultivated
country in which it is placed.
248. It will never do to be speculative or imaginative in our details,
on the supposition that the tendency of fine scenery is to make
everybody imaginative and enthusiastic. Enthusiasm has no business with
Turkey carpets or easy-chairs; and the very preparation of comfort for
the body, which the existence of the villa supposes, is inconsistent
with the supposition of any excitement of mind: and this is another
reason for keeping the domestic building in richly productive country.


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