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Ruskin, John, 1819-1900

"The Poetry of Architecture"

We were standing the other day on the slope of the Brevent, above
the Prieure of Chamouni, with a companion, well practiced in climbing
Highland hills, but a stranger among the Alps. Pointing out a rock above
the Glacier des Bossons, we requested an opinion of its height. "I
should think," was the reply, "I could climb it in two steps; but I am
too well used to hills to be taken in in that way; it is at least 40
feet." The real height was 470 feet. This deception is attributable to
several causes (independently of the clearness of the medium through
which the object is seen), which it would be out of place to discuss
here, but the chief of which is the natural tendency of the feelings
always to believe objects subtending the same angle to be of the same
height. We say the feelings, not the eye; for the practiced eye never
betrays its possessor, though the due and corresponding mental
impression is not received.]
223. For these reasons, buildings of a very large size are decidedly
destructive of effect among the English lakes: first, because apparent
altitudes are much diminished by them; and, secondly, because, whatever
position they may be placed in, instead of combining with scenery, they
occupy and overwhelm it; for all scenery is divided into pieces, each of
which has a near bit of beauty, a promontory of lichened crag, or a
smooth swarded knoll, or something of the kind, to begin with.


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