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Ruskin, John, 1819-1900

"The Poetry of Architecture"

This it can never have where the nature and
expression of the land near it reminds us of the necessity of labor, and
where the earth is niggardly of all that constitutes its beauty and our
pleasure; this it can only have where the presence of man seems the
natural consequence of an ample provision for his enjoyment, not the
continuous struggle of suffering existence with a rude heaven and rugged
soil. There is nobility in such a struggle, but not when it is
maintained by the inhabitant of the villa, in whom it is unnatural, and
therefore injurious in its effect. The narrow cottage on the desolate
moor, or the stalwart hospice on the crest of the Alps, each leaves an
ennobling impression of energy and endurance; but the possessor of the
villa should call, not upon our admiration, but upon our sympathy; and
his function is to deepen the impression of the beauty and the fullness
of creation, not to exhibit the majesty of man; to show, in the
intercourse of earth and her children, not how her severity may be
mocked by their heroism, but how her bounty may be honored in their
enjoyment.
[Footnote 45: For instance, one proprietor terrifies the landscape all
round him, within a range of three miles, by the conspicuous position of
his habitation; and is punished by finding that, from whatever quarter
the wind may blow, it sends in some of his plate-glass.


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