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Ruskin, John, 1819-1900

"The Poetry of Architecture"

No one, having any
pretensions to be called a human being, would build himself a house on
the meadow of the Ruetli, or by the farm of La Haye Sainte, or on the
lonely isle on Loch Katrine. Of the injustice of the second barbarism we
have spoken already; and it is the object of this paper to show how it
may be avoided, as well as to develop the principles by which we may be
guided in the second question; that of ascertaining how much permanent
pleasure will be received from the contemplation of a given scene.
218. It is very fortunate that the result of these several
investigations will generally be found the same. The residence which in
the end is found altogether delightful, will be found to have been
placed where it has committed no injury; and therefore the best way of
consulting our own convenience in the end is, to consult the feelings
of the spectator in the beginning.[45] Now, the first grand rule for the
choice of situation is, never to build a villa where the ground is not
richly productive. It is not enough that it should be capable of
producing a crop of scanty oats or turnips in a fine season; it must be
rich and luxuriant, and glowing with vegetative power of one kind or
another.[46] For the very chiefest[47] part of the character of the
edifice of pleasure is, and must be, its perfect ease, its appearance of
felicitous repose.


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