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Ruskin, John, 1819-1900

"The Poetry of Architecture"

]
203. For the rest, it is always to be kept in view, that the prevailing
character of the whole is to be that of graceful simplicity;
distinguished from the simplicity of the Italian edifice, by being that
of utility instead of that of pride.[40] Consequently the building must
_not_ be Gothic or Elizabethan: it may be as commonplace as the
proprietor likes, provided its proportions be good; but nothing can ever
excuse one acute angle, or one decorated pinnacle,--both being direct
interruption of the repose with which the eye is indulged by the
undulations of the surrounding scenery. Tower and fortress outlines are
indeed agreeable, for their fine grouping and roundness; but we do not
allude to them, because nothing can be more absurd than the humor
prevailing at the present day among many of our peaceable old gentlemen,
who never smelt powder in their lives, to eat their morning muffin in a
savage-looking round tower, and admit quiet old ladies to a tea-party
under the range of twenty-six cannon, which--it is lucky for the
china--are all wooden ones,--as they are, in all probability, accurately
and awfully pointed into the drawing-room windows.
[Footnote 40: There must always be a difficulty in building in
picturesque blue country in England; for the English character is
opposed to that of the country: it is neither graceful, nor mysterious,
nor voluptuous; therefore, what we cede to the country, we take from the
nationality, and _vice versa_.


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