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Ruskin, John, 1819-1900

"The Poetry of Architecture"

But the truth is that he selected the
subject, partly under the influence of domestic feelings, the place
being, as it is thought, his own habitation, and partly as a piece of
practice, presenting such excessive difficulties of color, as he, the
lord of color, who alone could overcome them, would peculiarly delight
in overcoming; and the harmony with which he has combined tints of the
most daring force, and sharpest apparent contrast, in the edgy building,
and opposed them to an uninteresting distance of excessive azure (simple
blue country, observe), is one of the chief wonders of the painting: so
that this masterpiece can no more furnish an apology for the continuance
of a practice which, though it gives some liveliness of character to the
warehouses of Amsterdam, is fit only for a place whose foundations are
mud, and whose inhabitants are partially animated cheeses,--than
Caravaggio's custom of painting blackguards should introduce an ambition
among mankind in general of becoming fit subjects for his pencil. We
shall have occasion again to allude to this subject, in speaking of
Dutch street effects.
194. Fourthly. It will generally be found to agree best with the
business-like air of the blue country, if the house be excessively
simple, and apparently altogether the minister of utility; but, where it
is to be extensive, or tall, a few decorations about the upper windows
are desirable.


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