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Ruskin, John, 1819-1900

"The Poetry of Architecture"

We shall not, however, allude to
suburban villas at present; first, because they are in country
possessing nothing which can be spoiled by anything; and, secondly,
because their close association renders them subject to laws which,
being altogether different from those by which we are to judge of the
beauty of solitary villas, we shall have to develop in the consideration
of street effects.
184. Passing over the suburb, then, we have to distinguish between the
_simple_ blue country, which is composed only of rich cultivated
champaign, relieved in parts by low undulations, monotonous and
uninteresting as a whole, though cheerful in its character, and
beautiful in details of lanes and meadow paths; and the _picturesque_
blue country, lying at the foot of high hill ranges, intersected by
their outworks, broken here and there into bits of crag and dingle
scenery; perpetually presenting prospects of exquisite distant beauty,
and possessing in its valley and river scenery, fine detached specimens
of the natural "green country." This distinction we did not make in
speaking of the cottage; the effect of which, owing to its size, can
extend only over a limited space; and this space, if in picturesque blue
country, must be either part of its monotonous cultivation, when it is
to be considered as belonging to the simple blue country, or part of its
dingle scenery, when it becomes green country; and it would not be just,
to suit a cottage, actually placed in one color, to the general effect
of another color, with which it could have nothing to do.


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