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Ruskin, John, 1819-1900

"The Poetry of Architecture"

Wealth is worshiped in France as the means of purchasing
pleasure; in Italy, as an instrument of power; in England, as the means
"of showing off." It would be a very great sacrifice indeed, in an
Englishman of the average stamp, to put his villa out of the way, where
nobody would ever see it, or think of _him_; it is his ambition to hear
every one exclaiming, "What a pretty place! whose can it be?" And he
cares very little about the peace which he has disturbed, or the repose
which he has interrupted; though, even while he thus pushes himself into
the way, he keeps an air of sulky retirement, of hedgehog independence,
about his house, which takes away any idea of sociability or good-humor,
which might otherwise have been suggested by his choice of situation.
151. But, in spite of all these unfortunate circumstances, there are
some distinctive features in our English country houses, which are well
worth a little attention. First, in the approach, we have one component
part of effect, which may be called peculiarly our own, and which
requires much study before it can be managed well,--the avenue. It is
true that we meet with noble lines of timber trees cresting some of the
larger bastions of Continental fortified cities; we see interminable
regiments of mistletoed apple trees flanking the carriage road; and
occasionally we approach a turreted chateau[26] by a broad way, "edged
with poplar pale.


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