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Ruskin, John, 1819-1900

"The Poetry of Architecture"


148. We have therefore headed this paper "The Villa, England;"
awakening, without doubt, a different idea in the mind of every one who
reads the words. Some, accustomed to the appearance of metropolitan
villas, will think of brick buildings, with infinite appurtenances of
black nicked chimney-pots, and plastered fronts, agreeably varied with
graceful cracks, and undulatory shades of pink, brown, and green,
communicated to the cement by smoky showers. Others will imagine large,
square, many-windowed masses of white, set with careful choice of
situation exactly where they will spoil the landscape to such a
conspicuous degree, as to compel the gentlemen traveling on the outside
of the mail to inquire of the guard, with great eagerness, "whose place
that is;" and to enable the guard to reply with great distinctness, that
it belongs to Squire ----, to the infinite gratification of Squire ----,
and the still more infinite edification of the gentlemen on the outside
of the mail. Others will remember masses of very red brick, quoined with
stone; with columnar porticoes, about one-third of the height of the
building, and two niches, with remarkable looking heads and bag-wigs in
them, on each side; and two teapots, with a pocket-handkerchief hanging
over each (described to the astonished spectator as "Grecian urns")
located upon the roof, just under the chimneys.


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