SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 135 | Next

Ruskin, John, 1819-1900

"The Poetry of Architecture"

We would hope, however, and we think it may be proved, that in
this case principle assists and encourages prejudice. First, referring
only to the gratification afforded to the eye, which we know to depend
upon fixed mathematical principles, though those principles are not
always developed, it is to be observed, that country is always most
beautiful when it is made up of curves, and that one of the chief
characters of Ausonian landscape is the perfection of its curvatures,
induced by the gradual undulation of promontories into the plains. In
suiting architecture to such a country, that building which least
interrupts the curve on which it is placed will be felt to be most
delightful to the eye.
[Illustration: Fig. 11. Broken Curves.]
144. Let us take then the simple form _a b c d_, interrupting the curve
_c e_ [fig. 11, A]. Now, the eye will always continue the principal
lines of such an object for itself, until they cut the main curve; that
is, it will carry on _a b_ to _e_, and the total effect of the
interruption will be that of the form _c d e_. Had the line _b d_ been
nearer to _a c_, the effect would have been just the same. Now, every
curve may be considered as composed of an infinite number of lines at
right angles to each other, as _m n_ is made up of _o p, p q_, etc.,
(fig.


Pages:
123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147