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Ruskin, John, 1819-1900

"The Poetry of Architecture"


136. All this, however, has very little effect in introducing the eye to
the villa itself, owing to the general want of inequality of level in
the ground, so that the main building becomes an independent feature,
instead of forming the apex of a mass of various architecture.
Consequently, the weight of form which in the former case it might, and
even ought to, possess, would here be cumbrous, ugly, and improper; and
accordingly we find it got rid of. This is done, first by the addition
of the square tower, a feature which is not allowed to break in upon the
symmetry of buildings of high architectural pretensions; but is
immediately introduced, whenever less richness of detail, or variety of
approach, demands or admits of irregularity of form. It is a constant
and most important feature in Italian landscape; sometimes high and
apparently detached, as when it belongs to sacred edifices; sometimes
low and strong, united with the mass of the fortress, or varying the
form of the villa. It is always simple in its design, flat-roofed, its
corners being turned by very slightly projecting pilasters, which are
carried up the whole height of the tower, whatever it may be, without
any regard to proportion, terminating in two arches on each side, in the
villa most frequently filled up, though their curve is still
distinguished by darker tint and slight relief.


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