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Ruskin, John, 1819-1900

"The Poetry of Architecture"


128. It seems then that, by its form and details, the villa of the Lago
di Como attains so high a degree of elevation of character, as not only
brings it into harmony of its _locus_, without any assistance from
appearance of antiquity, but may, we think, permit it to dispense even
with solidity of material, and appear in light summer stucco, instead of
raising itself in imperishable marble. And this conclusion, which is
merely theoretical, is verified by fact: for we remember no instance,
except in cases where poverty had overpowered pretension, or decay had
turned rejoicing into silence, in which the lightness of the material
was offensive to the feelings; in all cases, it is agreeable to the eye.
Where it is allowed to get worn, and discolored, and broken, it induces
a wretched mockery of the dignified form which it preserves; but, as
long as it is renewed at proper periods, and watched over by the eye of
its inhabitant, it is an excellent and easily managed medium of effect.
129. With all the praise, however, which we have bestowed upon it, we do
not say that the villa of the Larian Lake is perfection; indeed we
cannot say so, until we have compared it with a few other instances,
chiefly to be found in Italy, on whose soil we delay, as being the
native country of the villa, properly so-called, and as ever yet being
almost the only spot of Europe where any good specimens of it are to be
found; for we do not understand by the term "villa" a cubic erection,
with one window on each side of a verdant door, and three on the second
and uppermost story, such as the word suggests to the fertile
imagination of ruralizing cheesemongers; neither do we understand the
quiet and unpretending country house of a respectable gentleman; neither
do we understand such a magnificent mass of hereditary stone as
generally forms the autumn retreat of an English noble; but we
understand the light but elaborate summer habitation, raised however and
wherever it pleases his fancy, by some individual of great wealth and
influence, who can enrich it with every attribute of beauty; furnish it
with every appurtenance of pleasure; and repose in it with the dignity
of a mind trained to exertion or authority.


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