108. The frequent occurrence of the arch is always delightful in distant
effect, partly on account of its graceful line, partly because the shade
it casts is varied in depth, becoming deeper and deeper as the grotto
retires, and partly because it gives great apparent elevation to the
walls which it supports. The grottoes themselves are agreeable objects
seen near, because they give an impression of coolness to the eye; and
they echo all sounds with great melody; small streams are often
conducted through them, occasioning slight breezes by their motion. Then
the statue and the urn are graceful in their outline, classical in their
meaning, and correct in their position, for where could they be more
appropriate than here; the one ministering to memory, and the other to
mourning. The terraces themselves are dignified in their character (a
necessary effect, as we saw above), and even the formal rows of trees
are right in this climate, for a peculiar reason. Effect is always to be
considered, in Italy, as if the sun were always to shine, for it does
nine days out of ten. Now the shadows of foliage regularly disposed,
fall with a grace which it is impossible to describe, running up and
down across the marble steps, and casting alternate statues into
darkness; and checkering the white walls with a "method in their
madness," altogether unattainable by loose grouping of trees; and
therefore, for the sake of this kind of shade, to which the eye, as well
as the feeling, is attracted, the long row of cypresses or orange trees
is allowable.
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