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Ruskin, John, 1819-1900

"The Poetry of Architecture"


103. Without further preface, therefore, let us endeavor to ascertain
what would be theoretically beautiful, on the shore, or among the
scenery of the Larian Lake, preparatory to a sketch of the general
features of those villas which exist there, in too great a multitude to
admit, on our part, of much individual detail.
For the general tone of the scenery, we may refer to the paper on the
Italian cottage; for the shores of the Lake of Como have generally the
character there described, with a little more cheerfulness, and a little
less elevation,[14] but aided by great variety of form. They are not
quite so rich in vegetation as the plains: both because the soil is
scanty, there being, of course, no decomposition going on among the
rocks of black marble which form the greater part of the shore; and
because the mountains rise steeply from the water, leaving only a narrow
zone at their bases in the climate of Italy. In that zone, however, the
olive grows in great luxuriance, with the cypress, orange, aloe, myrtle,
and vine, the latter always trellised.
[Footnote 14: That Italian mountain scenery has less elevation of
character than the plains may appear singular; but there are many simple
reasons for a fact which, we doubt not, has been felt by every one
(capable of feeling anything), who ever left the Alps to pass into
Lombardy.


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