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Ruskin, John, 1819-1900

"The Poetry of Architecture"

We notice the mountain villa first, for two reasons; because
effect is always more considered in its erection, than when it is to be
situated in a less interesting country, and because the effect desired
is very rarely given, there being far greater difficulties to contend
with. But one word more, before setting off for the south. Though, as we
saw before, the gentleman has less _national_ character than the boor,
his _individual_ character is more marked, especially in its finer
features, which are clearly and perfectly developed by education;
consequently, when the inhabitant of the villa has had anything to do
with its erection, we might expect to find indications of individual and
peculiar feelings, which it would be most interesting to follow out. But
this is no part of our present task; at some future period we hope to
give a series of essays on the habitations of the most distinguished men
of Europe, showing how the alterations which they directed, and the
expression which they bestowed, corresponded with the turn of their
emotions, and leading intellectual faculties: but at present we have to
deal only with generalities; we have to ascertain not what will be
pleasing to a single mind, but what will afford gratification to every
eye possessing a certain degree of experience, and every mind endowed
with a certain degree of taste.


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