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Ruskin, John, 1819-1900

"The Poetry of Architecture"


56. There remains only one point to be noticed, its humility. This was
before stated to be desirable, and it will here be found in perfection.
The building draws as little attention upon itself as possible; since,
with all the praise I have bestowed upon it, it possesses not one point
of beauty in which it is not equaled or excelled by every stone at the
side of the road. It is small in size, simple in form, subdued in tone,
easily concealed or overshadowed; often actually so; and one is always
delighted and surprised to find that what courts attention so little is
capable of sustaining it so well. Yet it has no appearance of weakness:
it is stoutly, though rudely, built; and one ceases to fear for its sake
the violence of surrounding agencies, which, it may be seen, will be
partly deprecated by its humility.
57. Such is the mountain cottage of Westmoreland; and such, with
occasional varieties, are many of the mountain cottages of England and
Wales. It is true that my memory rests with peculiar pleasure in a
certain quiet valley near Kirkstone, little known to the general
tourist, distant from any public track, and, therefore, free from all
the horrors of improvement:[10] in which it seemed to me that the
architecture of the cottage had attained a peculiar degree of
perfection. But I think that this impression was rather produced by a
few seemingly insignificant accompanying circumstances, than by any
distinguished beauty of design in the cottages themselves.


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