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Ruskin, John, 1819-1900

"The Poetry of Architecture"

Who would substitute the rush of a new nation, the
struggle of an awakening power, for the dreamy sleep of Italy's
desolation, for her sweet silence of melancholy thought, her twilight
time of everlasting memories?
36. Such, we think, are the principal distinctive attributes of the
Italian cottage. Let it not be thought that we are wasting time in the
contemplation of its beauties; even though they are of a kind which the
architect can never imitate, because he has no command over time, and no
choice of situation; and which he ought not to imitate, if he could,
because they are only locally desirable or admirable. Our object, let it
always be remembered, is not the attainment of architectural data, but
the formation of taste.
_Oct. 12, 1837_


III.
THE MOUNTAIN COTTAGE--SWITZERLAND.

37. In the three instances of the lowland cottage which have been
already considered, are included the chief peculiarities of style which
are interesting or important. I have not, it is true, spoken of the
carved oaken gable and shadowy roof of the Norman village; of the black
crossed rafters and fantastic proportions which delight the eyes of the
German; nor of the Moorish arches and confused galleries which mingle so
magnificently with the inimitable fretwork of the gray temples of the
Spaniard.


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