In other words, the one aims at
abstract symbols, the other at picturesque effects. The one can carry
on his deductions by the aid of colourless signs, X or Y. The other
appeals to the emotions through the symbols which will most vividly
express the real objects in their relations to our sensibilities.
Imagination is obviously active in both. From known facts the
philosopher infers the facts that are unapparent. He does so by an
effort of imagination (hypothesis) which has to be subjected to
verification: he makes a mental picture of the unapparent fact, and
then sets about to prove that his picture does in some way correspond
with the reality. The correctness of his hypothesis and verification
must depend on the clearness of his vision. Were all the qualities of
things apparent to Sense, there would be no longer any mystery. A
glance would be Science. But only some of the facts are visible; and it
is because we see little, that we have to imagine much. We see a
feather rising in the air, and a quill, from the same bird, sinking to
the ground: these contradictory reports of sense lead the mind astray;
or perhaps excite a desire to know the reason.
Pages:
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76