Still lower in the ranks are those who follow
Literature simply because they see no other opening for their
incompetence; just as forlorn widows and ignorant old maids thrown
suddenly on their own resources open a school--no other means of
livelihood seeming to be within their reach. Lowest of all are those
whose esurient vanity, acting on a frivolous levity of mind, urges them
to make Literature a plaything for display. To write for a livelihood,
even on a complete misapprehension of our powers, is at least a
respectable impulse. To play at Literature is altogether inexcusable:
the motive is vanity, the object notoriety, the end contempt.
I propose to treat of the Principles of Success in Literature, in the
belief that if a clear recognition of the principles which underlie all
successful writing could once be gained, it would be no inconsiderable
help to many a young and thoughtful mind. Is it necessary to guard
against a misconception of my object, and to explain that I hope to
furnish nothing more than help and encouragement? There is help to be
gained from a clear understanding of the conditions of success; and
encouragement to be gained from a reliance on the ultimate victory of
true principles.
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