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Various

"The Atlantic Monthly, Volume 03, No. 17, March, 1859"

It appeared in the _Crayon_, for
February, 1853.]
"Dante took great delight in music, and was an excellent draughtsman,"
says Aretino, his second biographer; and Boccaccio reports, that in his
youth he took great pleasure in music, and was the friend of all the
best musicians and singers of his time. There is, perhaps, in the
whole range of literature, no nobler homage to Art than that which is
contained in the tenth and twelfth cantos of the "Purgatory," in which
Dante represents the Creator himself as using its means to impress the
lessons of truth upon those whose souls were being purified for the
final attainment of heaven. The passages are too long for extract, and
though their wonderful beauty tempts us to linger over them, we must
return to the course of the story of Dante's life as it appears in the
concluding pages of the "New Life."
Many months had passed since Beatrice's death, when Dante happened to
be in a place which recalled the past time to him, and filled him with
grief. While standing here, he raised his eyes and saw a young and
beautiful lady looking out from a window compassionately upon his sad
aspect.


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