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Various

"The Atlantic Monthly, Volume 03, No. 17, March, 1859"


The representation of this play was a kind of Dance of Death, and from
the acting of "Every Man" to the execution of that Dance was but a short
step.
But the Dance of Death had been performed before "Every Man" was
written; and dances in churches and churchyards were of yet greater
antiquity. For, by an order of a Roman council under Pope Pius II. in
the tenth century, priests were directed "to admonish men and women not
to dance and sing in the churches on feast-days, like Pagans." The evil
increased, however, until, according to the old chroniclers, a terrible
punishment fell upon a party of dancers. One of them, Ubert, tells the
story. It was on Christmas Eve, in the time of the Emperor Henry II.,
who assumed the imperial diadem in the year 1002, that a company of
eighteen men and women amused themselves by dancing and singing in the
churchyard of St. Magnus, in the diocese of Magdeburg, to the annoyance
of a priest who was saying mass in the church. He ordered them to
desist; but they danced on in reckless mirth. The holy father then
invoked God and St.


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