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Various

"The Atlantic Monthly, Volume 03, No. 17, March, 1859"

Indeed, our ancestors seem to
have found it edifying, not to say entertaining, to go to a cathedral to
see Satan and an Archbishop dance a hornpipe with the Seven Deadly Sins
and the Five Cardinal Virtues.
A Morality called "Every Man," written about 1450, has a direct
connection with the subject which we are considering. Every Man, the
principal personage of the piece, is an allegorical representation of
all mankind; and the purpose of the play is told in this sentence, which
introduces it:--
"Here begynneth a Treatyse how the Hye Fader of Heven sendeth Dethe
to somon every creature to come & gyve a count of theyr lyves in this
worlde, & is in maner of a Morall Playe."
On the title-page of an edition printed in 1500, only one copy of which
exists, is a very rude wood-cut, in which an individual, who is labelled
"Every Man," is startled at the sight of Death standing at the door of
a church and summoning him. In this Moral Play, Fellowship, Good Deeds,
Worldly Goods, Knowledge, Beauty, Strength, Discretion, and Five Wittes
are characters; and they cannot interpose between Every Man and the
summons of Death, nor will any of them, except Good Deeds, go with him.


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