"Why are you trying so hard to make love to me?" the woman asked, with
the half-amused smile with which the Eve near thirty receives the homage
of a boy. There is an element of insincerity in that smile, but it is a
weapon of defence against love's artillery.
Sometimes, indeed, the pleading in the boy's eyes and the cry of the
blood pierces the woman's smiling superiority. She listens, loves and
loses.
Ethel Brandenbourg was listening, but the idea of love had not yet
entered into her mind. Her interest in Ernest was due in part to his
youth and the trembling in his voice when he spoke of love. But what
probably attracted her most powerfully was the fact that he intimately
knew the man who still held her woman's heart in the hollow of his hand.
It was half in play, therefore, that she had asked him that question.
Why did he make love to her? He did not know. Perhaps it was the
irresistible desire to be petted which young poets share with
domesticated cats. But what should he tell her? Polite platitudes were
out of place between them.
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