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Raine, William MacLeod, 1871-1954

"Ridgway of Montana (Story of To-Day, in Which the Hero Is Also the Villain)"


She flicked her whip, and Ridgway fell back, laughing. "You've been
subsidized by the Consolidated," he shouted after her.
Hobart watched silently the businesslike directness with which the girl
handled the ribbons. She looked every inch the thoroughbred in her
well-made covert coat and dainty driving gauntlets. The grace of the
alert, slender figure, the perfect poise of the beautiful little tawny
head, proclaimed her distinction no less certainly than the fine modeling
of the mobile face. It was a distinction that stirred the pulse of his
emotion and disarmed his keen, critical sense. Ridgway could study her
with an amused, detached interest, but Hobart's admiration had traveled
past that point. He found it as impossible to define her charm as to evade
it. Her inheritance of blood and her environment should have made her a
finished product of civilization, but her salty breeziness, her nerve,
vivid as a flame at times, disturbed delightfully the poise that held her
when in repose.
When Virginia spoke, it was to ask abruptly: "Is it really his mine?"
"Judge Purcell says so.


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